Letter Signed Autograph Edmond Pestle (Writer Poet) 1927 For Sale

[AUTOGRAPH LETTER - FRENCH POLITICIAN XIX/XX]
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1 sheet of purple paper
Address and stamp on reverse, circulated
\"thank Mr. Louis Boulay for kindly writing in the french gazette its beautiful study on Maurice Barrès, to point out with sympathy to the readers of the Gazette, my small opuscule of the dovecote...\"
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Edmond PILON
1874-1945
 Edmond Pilon Writer, poet Edmond Pilon (November 19, 1874 in Paris - January 20, 1945 in Paris)is a French writer.
 BiographyEdmond Pilon is in turn a poet, literary critic, essayist and publisher. Its beginnings are marked by thesymbolist school.
From 1893, he collaborated with various magazines such as L\'Épreuve, Journal-Album d\'art founded by Maurice Dumont, L\'Ermitage (thanks to which he became friends with René Boylesve), La Vogue , La Revue bleue, La Revue blanche, La Plume where he wrote a regular column from 1900 to 1902, and finally La Nouvelle Revue française.
His first booklets of poems then appeared (Poèmes de mes Soirs, 1896; La Maison d\'Exilé, 1898). He is the author of the first critical work on Octave Mirbeau, and moreover, he later distinguished himself not without talent in literary portraiture, mixing biographical anecdotes and imaginary reconstruction. A prolific essayist, almost forgotten today, he worked in the 1920s on behalf of the publisher Henri Piazza.
We owe him a large number of editions of classics from the 17th and 18th centuries, two editions of the Memoirs of the Duke of Lauzun and studies on Chardin, Greuze and Watteau.
BibliographyThe Poems of my Evenings, Léon Vanier, 1896The House of Exile, Mercure de France, 1898Octave Mirbeau, International Publishing Library, collection “Celebrities of today”, 1903, 48 pages.French portraits, Sansot et Cie, 1904 and 1907 (2nd series)The last day of Watteau, Sansot et Cie, 1907Muses and Bourgeoises of yesteryear, Mercure de France, 1908Good Fairies of yesteryear, Sansot et Cie, 1908Chardin, Plon Nourrit and Co., 1909Gallant and libertine scenes of 18th century artists, H. Piazza, 1909Tender and pathetic portraits: Madame de Brézé - The lady from the Louvre - The life of Mr. Pomme - Virginie from the Maldives - The second Madame Danton - Balzac and Peytel, Mercure de France, 1910Sites and characters, Bernard Grasset, 1912Watteau and his school, G. van Oest & Cie, 1912, Charles Blanc prize from the French Academy in 1913Portraits of sentiment, Mercure de France, 1913Aspects and figures of women, La Renaissance du Livre, 1920French and literary figures, The Renaissance of the Book, 1921Maurice Barrès, Memories, notes and fragments of unpublished letters, Au Pigeonnier, Paris, French Book House, 1926Constance Meyer, André Delpeuch, 1927Île-de-France, B. ARTHAUD , 1929, illustrated by Camille Carlier-VignalVersailles, B. ARTHAUD , 1932, watercolors by Maurice de LambertThe Charm of Paris, H. Piazza, 3 vols., 1933-1935Beauties of yesteryear. Tender Loves, B. Grasset, 1935Pino della Selva, Araxes Printing, 1938Mademoiselle de la Maisonfort, novel, Plon, 1941Family Life in the 18th Century, Albin Michel, 1941The Altars of Fear (under the sign of Chénier, 1793-94 to 1943-44), Mercure de France, 1944The Mask and the Crook, Paris, Literary Editions of France, 1946
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1 sheet of purple paper, 1 handwritten page, handwritten address on the back
about 16x11.5cm
Paris, January 1, 1927 -
 [From Georges or Louis Boulay]
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Good condition    
see always, combined shipping costs in case of multiple purchases...


  \"thank Mr. Louis Boulay for kindly writing in the french gazette its beautiful study on Maurice Barrès, to point out with sympathy to the readers of the Gazette, my small opuscule of the dovecote...\" From 1893, he collaborated with various magazines such as L\'Épreuve, Journal-Album d\'art founded by Maurice Dumont, L\'Ermitage (thanks to which he became friends with René Boylesve), La Vogue , La Revue bleue, La Revue blanche, La Plume where he wrote a regular column from 1900 to 1902, and finally La Nouvelle Revue française. He is the author of the first critical work on Octave Mirbeau, and moreover, he later distinguished himself not without talent in literary portraiture, mixing biographical anecdotes and imaginary reconstruction.  Tender and pathetic portraits: Madame de Brézé - The lady \"thank Mr. Louis Boulay for kindly writing in the french gazette its beautiful study on Maurice Barrès, to point out with sympathy to the readers of the Gazette, my small opuscule of the dovecote...\" From 1893, he collaborated with various magazines such as L\'Épreuve, Journal-Album d\'art founded by Maurice Dumont, L\'Ermitage (thanks to which he became friends with René Boylesve), La Vogue , La Revue bleue, La Revue blanche, La Plume where he wrote a regular column from 1900 to 1902, and finally La Nouvelle Revue française. He is the author of the first critical work on Octave Mirbeau, and moreover, he later distinguished himself not without talent in literary portraiture, mixing biographical anecdotes and imaginary reconstruction.  Tender and pathetic portraits: Madame de Brézé - The lady

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